![]() These are all at line level and seem to operate at somewhere around a nominal -8dBu (ie. On the rear panel are three unbalanced quarter-inch jack sockets: one for the input and two for the outputs (main and double-tracked - of which more later). Most parameters can be controlled via MIDI continuous controllers too, for automation from a sequencer.Īs with Antares' other rackmount boxes, this is a very compact 19-inch unit, measuring roughly 125mm from front to back. These serve as excellent starting points for inveterate twiddlers, and offer pretty good instant solutions for those who would rather get on with the music making. It is also equipped with a broad range of factory presets designed to complement particular instruments and voices, as well as different musical styles. Most parameters can be accessed and adjusted with only a couple of button presses, and the whole shebang is fully programmable. Then there is a variable-knee compressor, an expander/gate, a tuneable de-esser, a two-band equaliser (which is far more flexible than it sounds), and an automatic double-tracking facility (using Auto-Tune to create the second voice). Photo: Mike CameronAlthough it doesn't contain a mic preamp, there is a surprisingly large amount of fun technology! It starts with Antares' mic modelling and valve emulation, followed by Auto-Tune real-time pitch correction. Before going any further it would be worthwhile my pointing out that, unusually for a voice processor, the AVP1 does not contain a mic preamp stage - it is a line-level device and must be used either as an insert to a mixer channel or effects loop, or with a separate stand-alone mic preamp. The Antares Vocal Producer - more easily referred to as the AVP1 - is a clever integration of some of the company's existing products, plus a few other 'fairy dust' elements to make a surprisingly powerful and effective, but relatively easy-to-use voice processor. Producer packages and voice channels of one form or another abound these days, but this neat little unit from Antares takes the idea in a new and rather interesting direction. Additional models can be downloaded from the Antares web site.Antares have packed their acclaimed Auto-Tune and mic modelling processes, along with dynamics and EQ, into this 1U rack unit. Includes an extensive collection of digital models of historical classics, modern exotics, and industry-standard workhorses. Simple to use - select the mic you're using and the mic you want it to sound like. Use during mixdown to change the mic on an already recorded track. Add a model of classic tube saturation distortion. Create hybrid mics that combine the bass response of one mic with the treble response of another. Models reproduce the effects of windscreens, low-cut filters, pattern-dependent frequency response and proximity effects. Features: Proprietary DSP-based acoustic modeling allows any reasonable quality microphone to sound like any of a wide variety of high-end studio mics. Simply tell the Microphone Modeler what microphone you are actually using and what microphone you'd like it to sound like. Team H2O | 12-18-03 | 5.04 MB Microphone Modeler uses Antares' "Spectral Shaping Tool" technology to create digital models of a wide variety of microphones, from historical classics to modern exotics, as well as a selection of industry-standard workhorses.
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